A Night in Town (Crystal, 1913)
Tom makes a visit to his nephew Dick to meet his new wife, but the newlyweds aren’t there — they left on a short trip of their own, leaving the house entrusted to their maid (Pearl White) and butler (Chester Barnett). When the cat’s away, the mice will play: the servants invite several friends over and are in the midst of a raucous party when Tom arrives.
The maid, who has helped herself to her mistress’s clothes, is mistaken for Dick’s wife. Tom leads her away to a private alcove to get to know her better, which incurs the butler’s jealousy. A fight breaks out that leads to Tom getting thrown from the window. He lands on a cop, who arrests him for assaulting an officer.
In the morning, the newlyweds return from their trip and Tom is released from jail. He makes a second visit to the house and discovers the true identities of the woman he flirted with and the man who attacked him, but nothing really comes of it. I watched several Crystal films the same night I screened A Night in Town (I’ll probably write something about two or three of them), and while all of them suffered a bit from this problem, it’s clear that the writer started with idea for a premise that he had no idea at all how to end. Really, after Tom mistakes the maid for his nephew’s wife, the story is over and the rest of the film is just killing time. Personally, I’d have padded out the set up a bit more and ended it with the arrest — leave it to the audience’s imagination what happens next, rather than disappoint them with the… it’s not even half-hearted, “quarter-hearted” next-day scene.
My rating: I don’t like it.