Like Lampblack, Amateur Detective, this is another film that I had no idea what was until I transferred it, as it was a retitled Pathé Baby release in French without any clues in the catalogue description as to what its original title might have been. Unlike Lampblack, this didn’t turn out to be an excerpt or an abridgment — it’s a complete and unedited copy of Be Honest (1923).
Be Honest is an early (third episode, I think) installment of the Dippy-Doo-Dads series. These are live action films with an all-animal cast that are meant to be funny although they come across as more horrifying than anything else. And that isn’t just me looking back at them with modern eyes — check out some of the contemporary protests lodged by the American Animal Defense League against abusive animal pictures in general and the Dippy-Doo-Dads in particular. These “animals are undoubted cruelly treated”, they allege, and I doubt any sane viewer would disagree. The monkey who plays Siki looks positively terrified in every scene he’s in.
Hal Roach went all-out for the later releases and built a whole town at miniature scale for the Dippy-Doo-Dads, but Be Honest and earlier films were just shot at some dilapidated farm.
Latude has been caged for thirty-five days (weirdly high-brow reference for this sort of film) and has grown bored and hungry. He provokes a nearby horse into kicking open the cage. Once he escapes, Latude goes on a feeding frenzy — stealing all the eggs from the farm. Siki, astride his canine mount Toto, assumes the role of policeman in bringing Latude to justice, but Latude is a wily fugitive, and even after Siki seems to have drowned him in a sack at the bottom of the lake, he effects one more “legendary escape” and lives to see another day.
My print spent the last fifty years in a puddle of standing water. Once the video is released (which it will be soon), try to guess which two bobbins were on the bottom of the stack; I don’t think the answer will surprise you. One is bad, but the third bobbin was so warped and rusted, I wasn’t sure I’d be able to get the film out. Despite the humidity, the two bobbins that weren’t in actual contact with the water — two and four — are in nearly perfect condition.
It sometimes takes effort to sufficiently divorce yourself from the content of a film that you can come to appreciate it for what it is. It’s not a matter of liking it; I can appreciate films that I find thoroughly unpleasant. But then there comes a film like Broken China, which is just insurmountably racist, or this, which revels in abusing animals. These are films I don’t think I can ever appreciate, let alone like.
My rating: I don’t like it.
Available from Harpodeon