The Cost of High Living (Vitagraph, 1916)
Jack (William Duncan) is in college on an economics degree. He evidently isn’t studying too hard since he’s blown all his cash going out with his friends, singing college songs badly out of tune. He writes to his father for more. It’s the high cost of living, he says, but dear old dad knows it’s really the cost of high living.
Dad writes to Jack’s sister Grace (Corinne Griffith), who lives near the college, and tells her it’s high time Jack settled down. Introduce him to some girl, he says. Corinne calls up her friend Helen (Carmen Phillips) and invites Jack over. He ditches the instant he figures out what’s up to go party with his friends.
At the restaurant, after downing bottle after bottle of liquor, they get to singing. One of Jack’s friends, infuriated that Jack’s ruining their harmony, rips up the tablecloth and wraps it around Jack’s head. “Help — help!” he cries. The new cop on the beat hears the commotion and comes to investigate. Too inebriated to deal with the law, the gang scatters. Jack ducks into a swanky mansion. “Are you the new butler?”
He is now. The cop is still prowling around outside, precluding any escape for our unmusical drunkard. Jack’s not a very good butler, what with spilling the food tray, trampling on feet, and openly flirting with his employer’s attractive daughter. The cook (Anne Schaefer) is sweet on the new cop and invites him into the kitchen. A brief but spirited tussle ensues when he spots Jack. Grace, who’s come to visit her friend Helen — for, of course, Jack had to duck into Helen’s house — intervenes: Jack is there for some real-world experience in his study of kitchen economies. That’s pretty much the end, but it doesn’t seem like Jack will flee from Helen this time.
Another boozy Vitagraph short, but unlike Bingles Mends the Clock, it doesn’t try to mine comedy from child abuse. Jack singing off-key when in his cups is rather less off-putting. The humor certainly goes down easier.
Duncan had been a contract player at Selig and featured in quite a few western shorts before making the move to Vitagraph. The Cost of High Living comes from his somewhat awkward transitory period before A Fight for Millions established him as a serial superstar. In the long run, that really worked against him as the serial format shifted away from serious drama and more into kiddy fare in the late ‘20s and into the talkie era. It was character roles of diminishing prominence for Duncan from then on out.
My rating: I like it.
Pioneer Trails has been available online for a couple weeks. The Blu-Ray and DVD are now available on Amazon. We’ll sell the DVD directly at some indefinite future date, but if you want a Blu-Ray, go ahead and get it from Amazon — we probably won’t ever sell it. The smallest number of Blu-Rays I can economically have made is 25, and like I was telling someone about the Juggernaut disc, I’ll probably still be working through those 25 for the next five years. Outside of collectors, DVD as a medium is dying fast and Blu-Ray never even lived. We don’t move much physical inventory anymore. DVD is a lot cheaper and I can get smaller quantifies, so we’ll probably only ever stock Pioneer Trails on that. We usually keep five discs on hand, although the recent J. Warren Kerrigan set sold better than was anticipated and I had to get another ten to keep pace with orders.
What’s the next video out? I don’t know — it will be an HD remaster of something. What’s on the horizon, though, is something I announced, like, five years ago, but then we switched to HD and my old source wasn’t good enough. It’s coming straight from 35mm now. On an entirely, entirely unrelated note, I pulled a magic lantern slide out of my collection. This one shows the construction of a building in Boston in 1914 and there’s nothing at all phantasic about it: