The Man Hunt (Selig?, 1915?)
Lionel Strongheart (Tom Mix) is out on a hunting vacation in the hills. He stumbles across a couple of moonshiners — Joe and Jeff — who shoot him. When they discover he’s just a hapless tourist, they take him back to their cabin where Nellie nurses him to health. Nellie is Joe’s daughter and Jeff is in love with her, although she turns down his marriage proposal. Joe promises to plead his partner’s case, but that’s sidetracked when Sheriff Jim comes with a warrant for Jeff’s arrest. Meanwhile, Nellie and Lionel have fallen in love and decide to marry.
There’s something about this film that doesn’t sit right with me. Several things, actually: it doesn’t look or play like the sort of films Tom Mix was making at Selig in 1915; I can find no release notices for a Selig film by the name “Man Hunt” — not in that year or at any other date — nor any newspaper ads or reviews; it looks most natural at around 22fps and not the 16-18fps Selig films usually run at; Mix looks noticeably older than he does in, say, Sage Brush Tom (1915), which I happened to watch immediately before running The Man Hunt; and the plot is awfully intricate for the film’s run time, and it strikes me as an abridgement of a longer work.
What I have is a 16mm print released by Castle Films — I’m not sure when, but the edge code of the film stock dates it to 1964. The titles are replacements. It names Tom Mix (and him alone), but it doesn’t suggest that it’s a Selig production or that it was originally released in 1915. The only place I can find making those claims is IMDb, and IMDb is… not exactly the most reliable resource.
I don’t think it is a 1915 Selig one-reeler. I think it’s probably a cut-down of one of Mix’s later Fox releases, either feature length or at least two or three reels long, and that “The Man Hunt” is simply the title Castle assigned it and not what it was originally called. Now I could be wrong, but that’s my impression. With that said, I can’t really criticize the film’s abruptness, pacing issues, or its weak character development — as what’s here may not be representative of what might have been intended.
So what can I say? Well, I can say that none of the cast is acting with even the slightest conviction. It’s good that the film tells us that Jeff is in love with Nellie, or that Nellie doesn’t care for the man, or that her father inexplicably does — because none of that comes across otherwise. The titular manhunt, which is introduced dramatically with “THE MAN HUNT IS ON!”, is an oddly sedate affair. The sheriff and I suppose deputy ride slowly up to the still and simply slip the handcuffs on Jeff without any real struggle or urgency and the film just fizzles out afterward. Father’s involvement with the moonshining operation seems to be forgotten, as does the attempted murder.
What’s here isn’t good, and I can’t imagine what isn’t here was very good either. In short…
My rating: I don’t like it.