The Professor’s Romance (Vitagraph, 1914)
Professor Cameron (Sidney Drew) is hard at work on his “great literary masterpiece” when Mrs. Merrileigh (Jane Morrow) moves into the neighboring house. She’s a widow with two young children — “Mother’s angels”, she calls them (Helen and Bobby Connelly). Cameron is smitten by Merrileigh at first sight and is hardly able to work without imagining the woman next door.
Likewise, the two hellions immediately declare war on the Professor. Their offensive escalates from putting firecrackers under his chair and drenching his romantic picnic with the garden hose to stealing his manuscript and burning it in the front yard. But the children’s efforts are self-defeating. Merrileigh, after learning what happened, goes to console Cameron. The Professor admits that maybe his book didn’t mean “more than anything else in the world” to him, and that maybe there was one thing that meant more.
Cameron and Merrileigh are embracing when the kids come bounding in with the news that what they burned wasn’t actually the manuscript. It was all pretend and the real papers were safely hidden all along.
As a one-reeler, it plays a bit too fast. There’s not enough material for a feature, but it could easily have filled two reels, and I’d have liked to have seen more of the budding romance and the children’s efforts to undermine it.
The characters are grounded in reality and their actions, though exaggerated, are entirely believable. They’re a much better fit for the Drews’ usual style of domestic comedy than the last Drew film I wrote about, Wanted:- A Nurse (1915). Only Cameron’s mischievous housekeeper, played by Ethel Lee, seems to act without purpose.
I enjoyed The Professor’s Romance (1914). It still doesn’t top Auntie’s Portrait (1915) as my favorite Drew short, but it is definitely one of the better ones.
My rating: I like it.