The Paper Doll (Crystal, 1913)
Alice (Pearl White) has two suitors: George Clements (Chester Barnett) and Eugene Raynor (Joseph Belmont). Alice obviously prefers George and this is not lost on Eugene, so at the next garden party, Eugene has his sister attempt to seduce George. Alice becomes jealous and so starts to favor Eugene. A brief fight breaks out between the two rivals, putting an end to the party.
Alice coldly sends George away. He returns a few moments later only to find her and Eugene apparently in an intimate conference. He doesn’t stay long enough to see that she is actually in the process of dismissing him as well.
Eugene goes home, depressed at losing Alice – suicidally depressed, in fact. He’s just signed his suicide letter when a friend interrupts him. They speak for a few minutes until Eugene finds a way to get rid of him. As he’s walking away, the friend sees George enter Eugene’s house behind him.
George confronts Eugene. The gun comes out and a struggle ensues, ending in George being disarmed and sent away. Finally alone, Eugene can prepare for his suicide, but his plans are destined for failure, as when he drops the gun on the floor, it accidentally goes off and shoots him through the heart. Adding insult to injury, a gust of wind carries the letter out the window.
The police arrive and George is arrested for murdering Eugene. It looks bad at the trial – a known motive, witnessed at the crime scene, his recently fired gun found on the floor.
Meanwhile, Alice had been teaching her younger sister how to make paper dolls. Alice has been, naturally, affected by the recent events, and so to cheer her up, Sister shows her some of the dolls she’s made from scraps of found paper. Alice discovers that one has writing on it. After realizing what it is, she rushes to the court just in time to give the suicide letter to the judge, thus clearing George of the murder charge.
The film stumbles at bit at the start, jumping into the action without defining the characters sufficiently to tell them apart. Baldy Belmont is more comfortable in comedy – “Joseph Belmont” here struggles with being believably dramatic. Other than that, I rather liked it. It was nicely shot and competently edited. The paper dolls are setup well in advance of the pay off, so it doesn’t feel as contrived as it otherwise might. On the whole, the story hangs together and plays out naturally enough.
My rating: I like it.